the good, the bad and the ugly
the good, the bad and the ugly (syndetic listing)
/ðə ɡʊd, ðə bæd, ənd ði ˈʌɡli/
Meaning
- Idiomatic Expression: The phrase has evolved into an idiom describing a comprehensive overview of a situation, encompassing its positive, negative, and unattractive aspects.
- Title of a 1966 Spaghetti Western Film: Originally, “The Good, the Bad and the Ugly” refers to a classic Italian Western directed by Sergio Leone, featuring Clint Eastwood, Lee Van Cleef, and Eli Wallach.
- Moral Complexity Representation: It symbolizes the intricate nature of human morality, indicating that individuals or situations can embody good, bad, and ugly characteristics simultaneously.
Example Sentences
- In his presentation, he covered the good, the bad and the ugly of the new policy.
- The documentary showcased the good, the bad and the ugly sides of urbanization.
- Our discussion delved into the good, the bad and the ugly of social media influence.
- The report highlighted the good, the bad and the ugly aspects of the healthcare system.
- The book explores the good, the bad and the ugly of human nature.
Origin and History
“The Good, the Bad and the Ugly” is a phrase that has transcended its original context to become a widely recognized idiom in the English language. Its journey from a film title to an expression encapsulating a comprehensive assessment of various facets of a subject is both intriguing and multifaceted.
The Film’s Genesis
The phrase originated as the title of the 1966 Italian Spaghetti Western film directed by Sergio Leone. The movie, starring Clint Eastwood (the Good), Lee Van Cleef (the Bad), and Eli Wallach (the Ugly), is set during the American Civil War and follows the trio’s quest for buried Confederate gold. The title succinctly characterizes the three main characters, each embodying distinct moral attributes.
Evolution into an Idiom
Over time, the title of the film transcended its cinematic origins, evolving into an idiomatic expression. Today, “the good, the bad and the ugly” is employed to provide a thorough analysis of a situation, encompassing its positive, negative, and less appealing aspects. This usage reflects the film’s exploration of complex moral landscapes, where characters exhibit a blend of virtues and vices.
Earliest Printed Record
The earliest printed record of the phrase is the title of the 1966 film itself. While the exact date of the phrase’s first appearance in print is tied to the film’s release, its adoption into common parlance as an idiom occurred in the subsequent decades.
Cultural Impact and Legacy
The film’s title has left an indelible mark on popular culture. Its structure has been adapted in various contexts to describe a comprehensive overview of different facets of a subject. The phrase’s enduring popularity underscores its versatility and the lasting impact of Leone’s cinematic masterpiece.
Variants
- the good, the bad, and the indifferent
- the good, the bad, and the beautiful
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